Sunday, January 25, 2009

Yesterday ate nothing but 4 bowls of reese puffs.

today, wake up late again, more malnutrition.

behind in classes. 

behind on the piano.

lost library book.

not much admirable.

Wednesday, January 21, 2009

the worst sin is to speak plain, all out in the open, directly without discretion.  it's like unveiling something beautiful with no preface.  what's happened to good rhetoric?  the play on words, the deceits, the feathery feeling of it too.  as far as i can tell, people my age speak directly to each other, as in 'Hey how are you?'  'oh good, thanks for asking'  'cool, i'm good too'  etc.etc.

there's no intrigue in that.  there's nothing artful in that.  i've spoken like that for a long time.  just a few days ago, i realized how uncomfortable and unsatisfying and awkward it is.  

so i've worked on it.

a kid today asked, 'man, is it a little chilly outside?'
i thought for a moment, and came up with this:  'but i can take it.'  not even answering his question, inserting a little wit (as best as i can), lightening the situation.

women around my age are quite good at this sort of witty rhetoric, but only when they're coming onto you. 


i suppose i'm frustrated with all the 3 second, meaningless and painful passings i've had with people who are hardly my acquaintances.  

if you are an empty person, i highly suggest resorting to this sort of rhetoric; at least you'll be hiding the nothing.  if you are a substantial person, i even more highly suggest it; then you'll have something worthy of hiding, and you'll stand even more intriguing.


i believe a lot of this bland style of conversing is a product of my society.  my worth as a student as well as a human being when applying for college was spelled out in numbers and figures and computer pixels and ink.  it's all about conveying your worth and your style and your life within a damn resume.  i say fuck that.

whatever you've got going for you, hide it.  lock it up.  tease the hell out of people with it.  god does the same thing.


(note:  feminine gesture of readjusting strap very elegant)

Monday, January 19, 2009




I admire Jonny Greenwood.





Thursday, January 15, 2009

people scoot into the room laughing
paper smiles open hearts, companionship and friendship,
i'm on the bed, trying to listen trying not to listen,
participating without participating, distant and strange,

don the headphones for familiar music
to remind me that my great friends,
my great memories and my great dreams
lie miles left away at home, strolling around
through Isle of Wight forests, dark-shiny 
neighborhood streets, faces I would forget
after years of absence because I see into them,
through the flesh into other things,
the qualities hesitantly admired
over the course of years,
people of substance, 
like the way your lover's flesh feels
feathery and complete against you.

Tuesday, January 13, 2009

Saturday, January 10, 2009

a way to say hey man scoot over pull over stoppa the car because you have lost your mind you think the road is a medieval playground and you're on the monkey bars this is a car got that this is a car and you need to pull over before it falls out.

Thursday, January 8, 2009

A beautiful day from where I'm from.  The sky with shades of soft baby blue and castle-clouds that seem more definite than the plans of tomorrow - to return to Columbia after a month in Chesapeake.  I drive mesmerized -- the most beautiful day and I just want to watch the clouds float by as I rotate with the Earth -- into the night.  

To her house for goodbye.  No I can't sit and stay for awhile.  No I'm not all that hungry; I just ate.  No thanks, I should get going:  To stay would be so overwhelming, so I limit myself to an embrace.  I look at her baby blue eyes like the clouds and how they well up with tears, and it's too much.  She needs me but I have to leave, have to do the whole college bit and leave.  
Love.

I retreat into myself, a maze of little impulses, the spark of mysterious life, separate from exterior expectations.  Here I can gaze through windows at memories, remembering.  

And at Columbia, I'll lock myself away.  I'll close my eyes and feel lungs pushing out against their cage.  Then I am alone with the keys, black and white.  Then I can tell the truth.